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Stacia Martin

 

Stacia Martin
Disney Artist And Historian

When asked to describe her job, Stacia Martin is likely to smile and reply, "How much time do you have?"  Stacia, who in 2011 celebrated her 33rd year with The Walt Disney Company, is based out of Disneyland in California, but spends much of her time on special projects for diverse Disney divisions including Walt Disney World, Walt Disney Imagineering, Disney Consumer Products, Walt Disney Records, D 23, Disney Destinations, Disney Cruise Line, Walt Disney Studios Home Entertainment, Disney Online and the ABC Cable Networks Group. She is particularly proud to have been named to the inaugural "classes" of Disney "Archives Angels" and Walt Disney Legacy Award recipients.

An early predilection for art led Stacia to focus her professional goals at age seven during a third grade "career day."  She started her Disney job a week and a day after graduating high school, and her college studies in illustration shortly thereafter.

At first, it was not strictly art or the tricky "quick sketch" skills that occupied her time; as an avid Disney fan and collector, Stacia first found her niche in the original Disneyana Shop on Main Street, U.S.A. in Disneyland.  There, and later when opening the original Disney Gallery in New Orleans Square, she enjoyed spending time with the Park Guests whose specialized questions were well met by her knowledge of Disney lore.

Today Stacia continues to share this history as a writer, and by contributing to Disney video documentaries. Alongside art assignments, Stacia has enjoyed an array of duties: being an Audio Art Director" for Walt Disney Imagineering's New Fantasyland attractions at Disneyland, an "Audio Archeologist" for the innovative Disneyland Forever digital system, and spearheading the restoration one of her favorite films, Walt Disney's 1967 musical The Happiest Millionaire.

Since 1985, Stacia has traveled quite extensively for Disney. In 2001 she opened the preview center for Hong Kong Disneyland, and exotic locales such as Australia, Indonesia, Scotland and Singapore have shared her calendar with trips throughout the U.S.A. 

Recent assignments have continued in their variety: illustrating books, designing collectibles, radio and television appearances, and researching and writing two books for Walt Disney Records: The Sounds of Disneyland, an elegant volume accompanying the 50th Anniversary CD box set A Musical History of Disneyland, and the recent Walt Disney and the 1964 World's Fair, part of a 5 CD package celebrating one of the most innovative periods in Disney history.

Stacia says that some of her favorite moments are the simplest ones. . . particularly the time spent drawing for children.  "To watch a child's face light up when three circles suddenly become Mickey Mouse before their eyes, and then to show them that this is something that they can learn to do, too - - their reactions, to me, are the true definition of Disney magic." 

"Being able to carry on the legacy of Walt Disney and his original staff. . . to create images for people that will mean as much to them as their predecessors have to me.  . . it's not a job,  it's a privilege.

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Visit the The Disney Gallery on Main Street, U.S.A. to see some of the latest original pieces of artwork by Stacia Martin.

Sweet Shop Sweethearts
Original
$1,250
Dimensions: 12" x 14"

In the happy world of Mouseketeers, where calories didn't exist and each day brought the chance for a new musical number, the tradition of meeting at the malt shop after school was just about as typical a diversion as any All-American kid of 1955 could hope for! The Mouseketeers gathered at the soda fountain frequently to perform memorable tunes like Sweet Rock Shop, Hey, Cubby Boy! and 1925 Charleston.

These two Mouseketeers seem to float on air as they sip their ice cream soda. Their "Sweet Shop" set is a copy of one of the stylized "flats" or set pieces actually used on the show, showcasing the distinctive flair of The Mickey Mouse Club's legendary Art Director, Bruce Bushman

 

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Roll  Up The Rug
Original
$1,000
Dimensions: 12" x 16"

The term "roll up the rug" was often used in late 19th and early 20th century America, since when company came to call, often the area rug in the parlour would have to rolled up so that an impromptu dance party could be held. Here are two dancing Mouseketeers, "cutting a rug" to the latest platters spinning on their record player.

Music was an extremely important, and therefore well-remembered part of Walt Disney's Mickey Mouse Club, and in those days before home and internet media, recordings were the only way that the show's fans could keep the songs of their broadcast television favorites at home Among the Mouseketeers' many musical releases was a disc entitled Roll Up The Rug For More Mousekedances!

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Mouseketeer 3-D Jamboree
Original
$1,200
Dimensions: 15.5" x 14"

Fans of Walt Disney's Mickey Mouse Club on television were delighted when, on June 16, 1956, the colorful featurette Mouseketeer 3-D Jamboree began its exclusive Disneyland engagement in Fantasyland's Mickey Mouse Club Theatre.  Music, yo-yo's, runaway balloons and a custard pie all figured into the fun, along with a bubble-filled Alma Mater finale which literally leapt off the screen!

Also part of the proceedings were two existing 3-D Disney cartoons: Melody and Working for Peanuts. To introduce Working for Peanuts, its star, Donald Duck, made a rare "dimensional" on-screen appearance with a little assistance from his original voice, Disney Legend Clarence "Ducky" Nash.

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Merry Mouseketeers
Original
$1,000
Dimensions: 11.75" x 11.75"
 

"Meeska - Mooska-Mouseketeer!" Here are two happy Mouseketeers representing the young stars of Walt Disney's Mickey Mouse Club, the innovative daily children's television series that made its debut on October 3, 1955 over the ABC network. (The Mouseketeers' first public appearance was actually at the grand opening of Disneyland on July 17th that same year!)

The Club's familiar round logo appeared on countless items of "mousekemerchandise" and publications, sometimes featuring the show's full title and occasionally, as on the backs of cast's famous roll call shirts, simply the special identity all 1950s kids soon aspired to: Mouseketeers.

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Triple-R Cowpoke
Original
$900
Dimensions: 12" x 14"

The Adventures of Spin and Marty was arguably the most popular of the episodic adventures, or serials featured on Walt Disney's Mickey Mouse Club. The 25-episode script by Lawrence Edward Watkin (whose other Disney screenplays include Treasure Island and Darby O'Gill and The Little People) told the tale of Marty Markham and Spin Evans, instant adversaries who over an adventure-filled summer become the best of friends.  Set at the fictional Triple-R Ranch. The Adventures of Spin And Marty premiered in November of 1955 and spawned two sequel serials.

The little cowpoke here shows off his official Triple-R hat and shirt as worn by all the boys in the first season of Spin and Marty. The ranch's barn was an actual one on Disney's Golden Oak Ranch, where the series was filmed. The whimsical gopher popping in at the corner salutes the Triple-R boys' favorite ranch hand, the perpetually perplexed Ollie, and his oft uttered expression of disbelief: "Well, I'll be a blue-nosed gopher!"







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